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| One of the first things the tour guide mentioned (he was hilarious--wish I had a recording of him) was Untersberg, the mountain used in the opening and closing scenes of the film. Maria is introduced in a long flying camera shot speeding towards her, she spins and then we cut to a close-up of her completing the spin. What we don't see is that in order to get the shot, the helicopter had to fly very close to the ground. Through all the takes of this scene, Julie Andrews was knocked forcefully to the ground by the prop-wash. Here's a photo of the "I'm Flying!" scene at the beginning of the film, just before she lets those pipes roar with "The Hills are Alive!!! Holy Crap!!!" or something like that. It was a beautiful song composed by Roy Rogers and M.C. Hammertime I think. In the beginning, Maria tells the reverend mother she climbed up the Untersberg and was picking flowers and then when she found she was late she ran down in a few minutes. Untersberg was a 6469 foot rocky mass with near-vertical sides that was |
We visited Schloss Leopoldskron, the palace used as the back of the Trapp house. Most of the outdoor shots were done here, including the famous scene where George (pronounced "Gay-Org")Von Trapp introduces the Baroness Schrader, his fiancee', to Maria and the children after they'd been out playing all day, wearing nothing but some vertical blinds which Maria had made into play clothes for them. As they approach in a canoe on this lake, singing, Maria stands, tips the boat, and tries to drown them all. It doesn't work. Naval hero George Von Trapp taught his kids to swim. |
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![]() | Here is the famous gazebo used in all the love scenes, Liesl, 16 going on 17, and Rolf, 17 going on 18 (he later dumps her for someone 18 going on 19), and to the left, the famous shot of Maria and George Von Trapp (played by Julie Andrews and Christopher Plummer) where he proves his love for Maria by picking her nose. When Maria returned to Salzburg years after the war to reclaim the Von Trapp home, she was appalled by the poverty of the area. So she donated the Von Trapp Villa to Monks. The Monks asked for their privacy but after being bugged by tourists they built a huge wall around the Villa and it couldn't be seen anymore. Here's what it looked like. This is a photo I ripped off from the internet--Maria von Trapp (daughter of George Von Trapp but step-daughter of the infamous Maria Von Trapp), her brother Johannes (baby of the family) and sister-in-law Erika von Trapp, from left, in front of the Villa, Austria. Maria is in the house for the first time since her family fled the Nazi regime to the United States in late 1938. |
![]() | The original von Trapp family home has reopened as a hotel to give guests the chance to lay their head to rest where the von Trapp family once lived, get married in the house's chapel, have a Sound of Music dinner in the family dining room, or just sit on pine cones and blow whistles at their annoying kids. Only the ball scenes were filmed in Leopoldskron--when authorities saw the huge lights used for it they were afraid of electrical fires, so the ballroom had to be re-created in Hollywood. Also, due to problems with trespassing tourists, the gazebo was moved to a different location (they took us there) but it was locked, once again, because of tourists. An 80 year-old lady broke her ankle trying to leap from bench to bench as they did in the movie. Mom still has a limp from that. At this stop one of the other tourists stepped in dog poo and tracked it into the bus. What an incredible smell he discovered! We ventilated for ten minutes as the driver sprayed deodorizer on the carpet and scrubbed. I tell my Yorkie Gizmo that story, just so the entire Salzburg trip has relevance to him. We left town and drove high into mountain lakes that were used in the opening shots of the Sound of Music, to St. Gilgen. At the time this was some of the most beautiful scenery I’d seen in Europe. Below, I posted a screen shot from the opening two minutes of the landmark movie, an aerial shot--and below that, a photo I shot from the shore of St. Gilgen. It wasn't until I returned to the U.S. that I realized I'd shot this photo from the same spot as the original airplane in the 1965 film. I was standing on the shore just in front of that church steeple, watching--you guessed it--mole hens. What can I say? I love animals more than people. They're more trustworthy and loyal and loving. My lousy church wouldn't reply to any emails while I was in Europe, but those mole hens came to me. |
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